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• 01
  OCT
  2018

  IRISH TIMES | REVIEW

  The Misfits review: An intimate character study in a stripped-back Wild West: Dublin Theatre Festival: Annie Ryan has sensitively adapted Arthur...
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• 01
  OCT
  2018

  IRISH TIMES | REVIEW

  The Patient Gloria review: Revisiting therapy as an exorcising scream: Dublin Theatre Festival: Gina Moxley restages Gloria Szymanski’s 1965...
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• 01
  OCT
  2018

  IRISH TIMES | REVIEW

  A Portrait of the Artist as a Young Man review: Ingenious, exhilarating fun Dublin Theatre Festival: Rough Magic’s Joyce adaptation is refreshingly...
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• 30
  SEP
  2018

  RTÉ | FEATURE

  Richard III - DruidShakespeare's winter of discontent: Eleanor White, Assistant Dramaturg at Druid Theatre, writes for Culture about Druid's...
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• 30
  SEP
  2018

  IRISH INDEPENDENT | REVIEW

  Revival of early Marina Carr play is full of depth and passion: The Mai premiered on the Peacock stage in 1994 and though that production was...
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• 30
  SEP
  2018

  IRISH INDEPENDENT | INTERVIEW

  'I've never really suffered for my art. Maybe I'd be a better writer if I did' Playwright Enda Walsh talks to Maggie Armstrong about some of his...
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• 29
  SEP
  2018

  IRISH INDEPENDENT | INTERVIEW

  'Amy was just blown away by my part in Hamlet', says Amy Huberman's brother Mark: AMY Huberman is said to have been "blown away" by her brother's...
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• 29
  SEP
  2018

  IRISH INDEPENDENT | REVIEW

  Cross-gender casting choice looks inspired as Ruth Negga makes for a princely Hamlet: When Ruth Negga was first announced for the role of Hamlet at...
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• 29
  SEP
  2018

  IRISH TIMES | INTERVIEW

  The all-male ballet company defying stereotypes: Les Ballets Trockadero de Monte Carlo on subverting traditions and the importance of the right...
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• 29
  SEP
  2018

  IRISH TIMES | LISTING

  Theatre of the week: Misogynistic therapy, and a neglected Sean O’Casey play: Two new productions at this year’s Dublin Theatre Festival re-examine...
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• 28
  SEP
  2018

  EXEUNT MAGAZINE | REVIEW

  Review: Hamlet at the Gate Theatre, Dublin: Let the doors be locked: Rosemary Waugh reviews Yaël Farber’s Hamlet, starring Ruth...
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• 28
  SEP
  2018

  IRISH TIMES | REVIEW

  The Mai review: Passionate performances in an unfocused production: Dublin Theatre Festival: Derbhle Crotty is moving as Marina Carr’s family...
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