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• 17
  JUN
  2019

  IRISH TIMES | REVIEW

  Evening Train review: Two young men on the edge of escape, one reckless, the other desperate: It’s the simplicity of the story that resonates in...
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• 17
  JUN
  2019

  IRISH EXAMINER | REVIEW

  Review: Flannery premiere, Evening Train, The Everyman: As the musical genre morphs into something exciting and unpredictable, thanks to inventive...
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• 15
  JUN
  2019

  IRISH TIMES | OPINION

  Was it for this? Fintan O’Toole on the existential questions facing the Abbey Theatre: In James Joyce’s Ulysses, Buck Mulligan has some scabrous...
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• 15
  JUN
  2019

  IRISH TIMES | LISTING

  Theatre highlights: Unmanageable Sisters returns to the stage: Fionn Foley’s solo show Brendan Galileo for Europe onstage ahead of fringe outings...
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• 15
  JUN
  2019

  IRISH EXAMINER | REVIEW

  Stage version of Mick Flannery's Evening Train premieres in Cork: As it morphs into something exciting and unpredictable, thanks to inventive...
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• 15
  JUN
  2019

  THE IRISH NEWS | REVIEW

  Review: Killymuck: Killymuck, Kat Woods' play which premiered this week at the MAC, is horribly topical...
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• 14
  JUN
  2019

  IRISH TIMES | REVIEW

  The Stalls review: original, confident and hilarious: Skilful skewering as opera ensemble shows audience exactly what it’s like...
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• 14
  JUN
  2019

  IRISH TIMES | INTERVIEW

  ‘You want fame? Well, fame costs. And right here is where you start paying’ Fame the Musical touts an old-fashioned message in today’s world of...
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• 14
  JUN
  2019

  THE STAGE | INTERVIEW

  Playwright Dylan Coburn Gray: ‘Poetry is stillness, drama is rupture’: Citysong, Dylan Coburn Gray’s Verity Bargate award-winning play, is coming...
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• 14
  JUN
  2019

  IRISH EXAMINER | INTERVIEW

  Who’s afraid of the big bad wolf? Twin choreographers Megan and Jessica Kennedy explore the innermost fears of Cork people for their ambitious...
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• 14
  JUN
  2019

  IRISH EXAMINER | REVIEW

  When the spotlight falls on 'the audience': The Stalls at Cork Opera House was a hugely enjoyable early event from Cork Midsummer festival, writes...
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• 13
  JUN
  2019

  IRISH INDEPENDENT | REVIEW

  The Snapper at Gate Theatre review: Big hair, Whitney Houston and the birth of a new kind of father: The Gate has revived last year’s hit adaptation..
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