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• 21
  SEP
  2022

  THE IRISH TIMES | REVIEW

  He’s Perfect review: A highly personal interrogation of sexuality: Dublin Fringe Festival 2022: Conor Cupples’s monologue contains much to admire...
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• 21
  SEP
  2022

  THE IRISH TIMES | REVIEW

  Conviction review: Battling inner demons in a graveyard: Dublin Fringe Festival 2022: Eva O’Connor’s strength is her sardonic tone, which infuses...
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• 17
  SEP
  2022

  THE IRISH TIMES | INTERVIEW

  Edna O’Brien: ‘If I don’t write, I might as well not live’: At the age of 92 the author has written a play about the women in James Joyce’s life...
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• 17
  SEP
  2022

  THE IRISH TIMES | INTERVIEW

  Eugene O’Brien embraces the energy that working outside of his comfort zone offers: The writer discusses his debut novel, Going Back, a Pure Mule...
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• 16
  SEP
  2022

  THE IRISH TIMES | REVIEW

  The Mothership review: A comic journey through parenthood, with two hilarious hosts: Dublin Fringe Festival 2022: Bright Club’s production is...
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• 16
  SEP
  2022

  THE IRISH TIMES | REVIEW

  Frigid review: The innocence, discovery, bullying and mortification of an Irish teen disco: Dublin Fringe Festival 2022: Rosa Bowden’s 50-minute...
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• 15
  SEP
  2022

  THE IRISH TIMES | REVIEW

  24/7 Bliss review: A quirky take on lost and found connections: Dublin Fringe Festival 2022: Iseult Deane’s demi-opera holds up a mirror to...
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• 14
  SEP
  2022

  THE IRISH TIMES | REVIEW

  The Perfect Immigrant review: Vibes and banter from an imperfect son: Dublin Fringe Festival 2022: ‘Poem plays’ provide tonal interludes to...
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• 13
  SEP
  2022

  THE IRISH TIMES | FEATURE

  Enter stage left: Mary O’Malley and Belfast’s Lyric Theatre: Biographer Bernard Adams on an Irish socialist’s successful cultural...
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• 13
  SEP
  2022

  THE IRISH TIMES | REVIEW

  Hotel Happiness: Big ideas get lost in an anticlimactic production: Dublin Fringe Festival 2022: Despite its intriguing premise, Chaos Factory’s...
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• 13
  SEP
  2022

  THE IRISH TIMES | FEATURE

  Animals at Dublin Theatre Festival: Putting a new skin on Orwell’s fable: Louise White’s play takes Animal Farm as a starting point for examining...
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• 13
  SEP
  2022

  THE IRISH TIMES | REVIEW

  Out of the Ordinary review: Is this the future of opera? Dublin Fringe Festival 2022: Irish National Opera’s virtual-reality production works best ...
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