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• 18
  Sep
  2024

  The Irish Times | Review

  Earth Sonnet: Mel Mercier’s vast soundscape of poetry and music sticks in the mind long after the performance
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• 18
  Sep
  2024

  The Irish Times | Review

  Hyperphysical: Impressively tight-knit ensemble takes on Abby Zbikowski’s punishing but fascinating dance
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• 18
  Sep
  2024

  The Irish Times | Review

  Motion and emotion: Watching as Michael Keegan-Dolan’s Nobodaddy takes shape at Teach Damhsa
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• 18
  Sep
  2024

  The Irish Times | Review

  Julius Caesar Variety Show: An anxious comedy about a theatre industry refusing to evolve
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• 18
  Sep
  2024

  The Irish Times | Review

  Paddy Daddy: Gloriously camp cabaret chronicling Mark T Cox’s intimate affairs in rural Ireland
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• 18
  Sep
  2024

  The Irish Times | Review

  It Was Paradise, Unfortunately: A stunningly clever investigation of theatre as a trans art form
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• 18
  Sep
  2024

  The Irish Times | Review

  Malignant Humour review: This one-woman wonder is far funnier than a cancer-inspired circus act has any right to be
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• 18
  Sep
  2024

  The Irish Times | Review

  Afterwards review: Impeccable performances and crackling dialogue in a play with an unmistakable purpose
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• 18
  Sep
  2024

  The Irish Times | Review

  An Attempt to Talk With the Beginning of the World: Organic, sensitive, magical
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• 18
  Sep
  2024

  The Irish Times | Opinion

  Dublin Theatre Festival is losing its director. What has Willie White achieved since 2012?
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• 18
  Sep
  2024

  The Irish Times | Review

  Illness as Metaphor: A clever, moving and genuinely new piece of theatre
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• 18
  Sep
  2024

  The Irish Times | Review

  Dancehall Blues: Dark odyssey oscillates between 20th-century Europe and the post-Covid era
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