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• 12
  Nov
  2024

  RTE Culture | Article

  Maeve Ingoldsby - an Irish children's theatre legend remembered
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• 12
  Nov
  2024

  RTE Culture | Opinion

  The new play telling the story of NI's pioneering gay helpline
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• 12
  Nov
  2024

  The Irish Times | Review

  The Cure and After Luke: Cónal Creedon double bill shows this writer’s gift for bringing light into dark places
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• 12
  Nov
  2024

  The Irish Times | Article

  Dublin Theatre Festival announces Róise Goan as new artistic director
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• 12
  Nov
  2024

  The Irish Times | Interview

  No Magic Pill: ‘If you cast disabled actors, they bring with their performance the lived experience of disability’
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• 12
  Nov
  2024

  The Irish Times | Article

  The Dead brought to life: how James Joyce’s celebrated short story is being re-created as an immersive experience
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• 12
  Nov
  2024

  The Irish Times | Review

  Mother Courage and Her Children review: A darkly comic road trip through a Europe at war
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• 12
  Nov
  2024

  Irish Independent | Review

  Paddy Goes to Petra review: Bereaved Irish farmer finds peace amongst the Bedouin
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• 12
  Nov
  2024

  Irish Independent | Review

  Enda Walsh’s devastating Safe House is what theatre is all about – and Kate Gilmore is outstanding
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• 12
  Nov
  2024

  Irish Independent | Review

  What did gay people do in the Middle Ages? This hilarious musical has a guess
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• 12
  Nov
  2024

  Irish Independent | Review

  Dermot Bolger’s Home, Boys, Home marks end of a long-running trilogy but it lacks plausibility
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• 22
  Oct
  2024

  RTE Culture | Article

  Wexford Festival Opera - watch The Critic by Charles Villers Stanford
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